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Concert 2a | Wojtek BlecharzBuy now
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Concert 3a | Die HochstaplerBuy now
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Concert 4 | SWR SymphonieorchesterBuy now
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Concert 2b | Wojtek BlecharzBuy now
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Concert 3b | Die HochstaplerBuy now
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Concert 5 | Ensemble AscoltaBuy now
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Concert 6a | IctusBuy now
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Concert 7a | Jessie Marino & PinquinsBuy now
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Concert 6b | IctusBuy now
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Concert 7b | Jessie Marino & PinquinsBuy now
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Concert 8 | Yarn/Wire IBuy now
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Concert 9 |Elyse Tabet & Jawad NawfalBuy now
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Concert 10 | Yarn/Wire IIBuy now
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Concert 11 | Akustische Spielformen: Karl-Sczuka-PreisBuy now
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Concert 2c | Wojtek BlecharzSold out
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Concert 12 | Abschlusskonzert SWR SymphonieorchesterBuy now
Concert 6b | Ictus
What would it sound like if everything ever heard in a room remained audible? Inspired by a story by Salomo Friedlaender in which a professor tries to capture and reproduce Goethe’s
voice in his study, the composer Joanna Bailie pursues her long-time artistic preoccupation with memory. Proceeding from the idea that sounds never disappear but are constantly
layered, in her new work 1979 she reverses the direction of time: from the maximum concentration of noise to its breakdown into individual songs and sounds.
Ictus
Joanna Bailie
1979 für acht Musiker:innen,
Video und Elektronik
Where does the event happen? Donaueschingen, Realschule - grosse Sporthalle
When does the event happen?
Begin:
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